Elisabeth Frink in the Context of Twentieth Century British Sculpture by David Brindley

Elisabeth Frink’s individualism and independence ensure that she avoids easy categorisation.  This lecture will locate Elisabeth Frink in the context of twentieth century British sculpture.   We will compare Frink’s work with the  abstract forms of Hepworth, the barely figurative shapes of Moore, and the naturalistic later works and portraits of Epstein.  Special attention will be given to the pieces exhibited in Salisbury Museum.